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Bronze Tango Syllabus

Tango Argentino
1880-1912: The Empirical Era

In 1880, Buenos Aires, the biggest port of the country, became Argentina's capital.  The Tango took its first steps.  Millions of immigrants arrived and established themselves in the city's suburban slums, mixing with inactive soldiers, gauchos, and others to make up the populations of the "Orilla" (the outskirts), as opposed to the residential and commercial areas.  The Brothel became the most representative institution of the Orilla, with its typical characters-the pimps, prostitutes and the Madame.  Excluded from the rest of society, the Orilla formed its own aristocracy and its own underground world with its own language (Lunfardo), clothing, music and dance-the Tango.

How was the Tango born?  Its origins are controversial.  The way in which it appeared in the brothels of the Orilla was a new form of expression influenced musically by the Habanera, the Andalousian Tango and the Milonga.  One cannot affirm with certainty that the origins of the term Tango come from the sound of the Black's drums (tan-go, tan-go).

Some suggest that the influence is from the Candombe (Negro chants from Colonial time) sung acapella or accompanied by the sound of the tambourine.  The residents of the Orilla learned the Tango steps from pimps.  Men were dancing the Tango in the brothel's salons to pass the time while waiting.  Tango was also the music listened to in academias, bistros run by women and in other bars of the popular quarters frequented by lonely men.  Soon, prostitutes began dancing with patrons and the men of the upper class who went to the slums for excitement.

The newborn Tango had no set form as yet, its rhythmical and structural shape were not yet fully defined.  The orchestration of the music as played in the slums by small bands of violin, flute and guitar players or in the salons by piano, flute and violin had not yet found its definitive form.

The bandoneon (invented by a German, Heinrich Band) was imported to Argentina in 1866 but did not really surface until the 1870's.  We can say that with the advent of the bandoneon and its entry into the Tango orchestra, the real Argentinean Tango was born.

BASIC KEY PATTERNS
SALON STYLE

VARIATIONS/ORILLERO SYTLE

STAGE VERSION
FANTASIA STYLE

1.

Construccion Basica
Basic Construction
La Salida Con Trabada y El Comodin
(The Exit with Fastening and
the Joker)

A.
B.
C.
D.
E.

El Basico (The Basic Start)
El Doble (The Double Start)
Paseo (Promenade Start)
Retroceso/Golpecito (Back Start/Tap)
Paradillas (Pauses) 1-2-3-4*

El Apartado
  The Separation

2.

El Ocho
(The Eight)

A.
B.

C.
D.

El Latigazo (The Whip Flick)
Doble Ocho /Gancho Cerrado
  (Double Eight/Closed Hook)
Doble Cruzada (Double Cross)
Simple Ocho y Besos (Kisses)

La Pasada
  The Passing
3.

Las Cunas
(The Rocks)

A.
B.
C.
D.

La Cunita (The Little Cradle)
LF, Rock con Giro (Turn)
RF, Rock Milonga Style
RF, Sacada (Removal)

El Garfio
  The Grapple

4.

Los Caminos
(The Walks)

A.
B.
C.
D.

Elevacion y Coda (Elevation and End)
La Derecha (The Right)
Afuera (Outside)
El Paso Felino (The Cat Walk)
La Hamaca
  The Hammock

5.

El Lanzamiento
(The Throwaway)

A.
B.
C.

Los Paseos (The Promenades)
La Izquierda (The Left)
Las Cruces (The Crosses)

La Ciguena
  The Stork

6.

La Parada y La Despedida
(The Stop and the Fallaway)

A.
B.

C.

Con Latigazo (with Whip Flick)
El Doble Latigazo
  (The Double Whip Flick)
La Media Luna (The Half Moon)

El Atravesado
  The Overpass

7.

LF Resolucion
(Left Foot Resolution)

A.
B.

Gancho Abierto (Open Hook, Lady)
LF, Doble Resolucion

La Contravuelta
 The Counter-Turn

8.

RF Resolucion
(Right Foot Resolution)

A.
B.

Gancho Abierto (Open Hook, Man)
RF, Doble Resolucion

La Porfiada
  The Weighted Doll

9.

La Sentada
(The Sit)

A.
B.
C.

La Sentada Abierta (The Open Sit)
La Doble Sentada (The Double Sit)
Las Emboscadas (The Ambushes)

La Coqueta
  The Seductress

10 .

El Giro Basico
(The Basic Turn)

A.
B.

A La Izquierda y Continuo
A La Derecha y Continuo (Continuous)
Ida y Vuelta
  Forward & Back

* 1. La Ronda del Pie (Foot Circles) 2. La Levantada Del Pie (The Foot Lift)
3.La Punta Del Pie (The Tip-Toe) 4.El Asimiento (The Grip)

You may purchase Instructional video tapes that demonstrate these concepts by clicking here!

 
 

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