The Waltz intention is to go! The Tango intention is to stop!
The legato of Waltz music, as opposed to the Staccato of Tango music, asks for a gliding movement of the feet instead of placement. The idea is to try to
dance Vals Cruzado with Tango vocabulary, not to dance Tango on Waltz music. The incessant demand of the usual 60 measures per minute (universal tempo) of Tango-Waltz, open the door to quick reactions
and fast decisions.
The use of the measure (three beats) allows a period of one full second for one change of weight or one movement. The use of medio galope (canter rhythm) reduces it to 2/3 of a
second for one change of weight or movement. When using the beat, there is just 1/3 second of the same actions.Compared to Milonga, which is more grounded than Tango, Vals Cruzado is more in the
clouds. From a bird's eye view, Vals exhibits two overlapping circles within a circumference, while Tango creates a triangle and Milonga, a rectangle. Each of them: Vals, Tango, Milonga, by
shaping the music they have their own unique character. They are related by the same vocabulary, and same concepts, nothing else.
"Vals flies, Milonga flows, and Tango freezes its fluidity for a moment." - (Ive Simard) |